Since I have a forty minute ride to work every day, I decided to listen to audiobooks. I spend so much of my free time writing. But writers need to read, too, so I thought this was a good compromise.
I also thought this would give me a great chance to really listen for technique, for instance, how much back story is used and how, use of flashback, transitions, dialogue and dialogue tags, etc., more so than for plot, since I'm listening to books I've already read for that reason.
Not all audiobooks are created equal. Some books that are perfectly enjoyable are less so in their audio version. Some more so. I think I've figured out why.
Some books with graphic content are so over-the-top when listened to aloud. Compound that with an over-the-top audio reader, and you have a recipe for ruining a wonderful book.
Here's an example. One of my favorite books written in the last five years is THE LOVELY BONES. The storyline is very sad since it details a senseless act of violence:
The Lovely Bones is a 2002 novel by Alice Sebold. It is the story of a teenage girl who, after being brutally raped and murdered, watches from heaven as her family and friends go on with their lives, while she herself comes to terms with her own death. The novel received a great deal of critical praise and became an instant bestseller.
The narrator of the audio book is a stage actress. Her diction is too over-the-top for an intimate medium like an audiobook. She actually pronounced the word 'hurriedly' as a four-syllable word.
Can you say 'pretentious'?
Sebold's lovely story is often graphic in detail--for instance, the neighbor's dog carries home this girl's elbow early on in the story. And we've got over-acting woman reading this story like she's back on stage, acting in her Greek tragedies. The combined effect is so strong, too strong, and the book on audiotape is hardly bearable. It reminded me of opera stars trying to sing pop music, like if Luciano Pavarotti, rest his soul, were to sing 'Feelings.'
Whereas I listened to a young film actress Rachel Leigh Cook read THE DEVIL WEARS PRADA. She was very good. Artless. Not over done. I enjoyed that one as an audio book more than I enjoyed the book.
I also like narrator of Janet Evanovich's books. She's a stage actress, too, but the characters in those books are so colorful, the over-the-top diction doesn't detract from the story much. In fact, it kind of works.
Then I tried to listen a Nora Roberts audio book and the narrator had a thick Irish accent. That lasted about one minute. Again, just too much for a very intimate medium. Why Nora Roberts. Writing coach Donald Maass compliments Roberts on her plot layers. I never read Nora Roberts before and thought I'd give her a listen based on Maass' recommendation.
If my book ever gets published and becomes an audiobook, I want a say in who reads it. I don't want it ruined by a stage actress too self-absorbed to change her reading style to suit the medium.